3 x rinta / 3 x Chest. Tempera mdf-levylle, triptyykki, osat 90cm x 60cm, 2007. 
David. Tempera mdf-levylle, 170cm x 120cm, 2007. 
Helma / Valance. Tempera mdf-levylle, 170cm x 120cm, 2007. 
Minä ja siskot / Me and My Sisters. Tempera mdf-levylle, 100cm x 150cm, 2007. 
Burt. Tempera mdf-levylle, 170cm x 120cm, 2008. 
Itsetunnon rakennus / Building up the Self Esteem. Tempera mdf-levylle, triptyykki, osat 60cm x 45cm, 2007. 
Karvajoki / Hair River. Tempera mdf-levylle, 130cm x 90cm, 2008. 
Karvoja lattialla / Hair on the Floor. Tempera mdf-levylle, 60cm x 45cm, 2006. 
Pestävä alue I – II / Area to be cleaned I – II. Akryyli ja tempera mdf-levylle, 160cm x 120cm molemmat, 2006. 
Tulva / Flood. Tempera mdf-levylle, 140cm x 100cm, 2007. 
Tuppo / Swob. Akryyli, mehiläisvaha mdf-levylle, 2005. 
Yleiskuva näyttelystä Karva-ajatukset. Taidekeskus Ahjo, Joensuu 2007. 
Yleiskuva näyttelystä Karva-ajatukset. Taidekeskus Ahjo, Joensuu 2007.
HAIR THOUGHTS
ART CENTER AHJO, JOENSUU
6.5. – 29.5.2007
TO THE PRESS
Hair thoughts are paintings about physicality. The subject is either the human body or physical courses: how the paint slides, floods or accumulates.
Painting is a slow method, there is time for the fusion of several things during the work. The image becomes ambiguous. My works are always figurative, but the difference between the representation of the seen reality and the representation of the inner world is equivocal. In the best case, the two are combined: a t-shirt resembles a crossroads and vice versa, the chest can be a river of hair, a river a state of mind, the floor an image of the body.
The material used in all the works is egg tempera, the leather-like nature of which, in my opinion, suits the theme well.
HAIR RIVER AND BANAL OUTSIDE AREAS
GROUP EXHIBITION WITH TIINA NEVANPERÄ
RAUMA ART MUSEUM
12.4.-1.6.2008
TO THE PRESS
I think that the life force might be hidden in the hair. Feelings about physicality are often located in the lower abdomen, and feelings in general somewhere under the sternum. In my work, the human body acts as a frame for the painting event, but I hope that the subject - physicality - can be experienced at least as much in the way of painting and the material as in the presented subject. I left out the heads to make it easier for the spectator to jump into these shoes.